This is an incredibly thoughtful and super practical touch, and helps enhance the human element of recording live instruments with another performer. There’s also two headphone jacks on the front of the unit, letting you and another performer record and hear playback simultaneously without the need for any splits.
Steinberg usb audio interface plus#
The Steinberg UR44c also boasts phantom power for every input, which is a huge plus for anyone looking to multi-track a singer-songwriter or even record a stripped-down drum track. I was also stoked to see that the UR44c featured MIDI in and out on the back as well – far too many interfaces in this price range don’t feature MIDI I/O, so it’s nice to see Steinberg have added these in the mix. On the rear, you’ll find four line outputs and an additional set of main outputs, which should be more than enough for most applications in a home recording environment. Whether you’re tracking vocals or simply plugging in a guitar or bass for some DI action, you’ll notice the difference these preamps provide immediately: there really is a distinctive sheen and sparkling quality that many interfaces in this price-range simply can’t achieve. Additionally, the preamps on the UR44c are also Class-A D-PRE preamps, which only enhance the recording quality of the unit even further.
Steinberg usb audio interface pro#
You’re also able to choose whether you want to power the interface via USB-C or with the 12v adapter, with the unit even being able to be powered via devices as compact as an iPad Pro or a USB power-pack – a real nice touch for anyone working on the go.Įxpanding beyond the parameters of what most expect from an interface at this price-point, the UR44c consists of six inputs and four outputs, with the unit featuring four microphone preamps on the front and an additional two line inputs on the rear of the unit.Įach preamp is paired with a corresponding gain control for immediate adjustments, while a larger output knob on the right-hand side controls the overall volume of the UR44c. Reflecting Steinberg’s forward-thinking design ethos, the UR44c makes use of lightning fast USB-C 3.0, enabling faster processing time and putting a lighter load on your computer’s CPU, while a standard 12-volt adapter does all the heavy lifting. Thankfully, the UR44c has also got a nice amount of weight to it, yet it is relatively small for an interface with this much power and flexibility – so far, it’s ticking all the boxes for everything you’d need from an interface of this calibre. Its sleek and clean appearance is paired with a simple black and grey colour scheme, which should make for a clean addition to any desktop studio space. Straight out of the box, there’s no denying that this is a well-designed piece of gear. It features a maximum sampling rate of 192kHz audio conversion with 32-bit resolution, resulting in top-notch analogue-to-digital conversion to produce awesome sounding recordings from the confines of your bedroom. Ever the reliable dark horse, the UR44c has all the seamless connectivity and rock-solid components you’ve come to expect from the industry staple. The newest interface from industry stalwarts Steinberg does not disappoint. I’ve heard enough connectivity horror stories to come to the conclusion that reliability may be the most important feature of all, and it’s something that everybody should be considering when in the market for a new interface.Ĭheck out all the latest audio interface, microphone and headphone reviews here. As someone primarily concerned with making music rather than wrestling with IT issues, I’ve always been able to appreciate the brands rock solid components, seamless connectivity and general all round reliability, both in design and execution. I’ll admit, I have a soft spot for Steinberg interfaces. Words by Miles Masarei Yamaha Music Australia | Expect to pay: $499
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